When to work on your “Rhythm”?

When learning a new piece of music, when should a musician work on getting right the rhythm and feel of the piece?

We have long believed it has to be the very first thing to get right and there’s little point playing notes at all unless they are in the desired rhythm (feel and groove).   Tempo, however, is a whole other subject – there’s a lot to be said for precision and even playing tunes at markedly different tempos to internalize the piece better.
Timing is the bedrock of all music:  “When a note is struck at the wrong time, it’s the wrong note”.
Getting playing in the right rhythm as soon as possible is why we have always sought out structured and inspiring rhythmic backing.  This ultimately lead to  “Song Rhythm Tracks.

Rhythm and Tim

How to practice, then how to jam?

Here are my views on how to go about practicing and jamming.

This is such an important part of the journey of becoming a musician. I wrote this down for the benefit of a musician just setting out on his journey, wanting to know what the key things were that would determine their success.  I know I certainly did not go about it the right way for many years.  I had not had any musical education as a child, but as an adult when learning music for the first time, had the benefit of a private teacher but never really addressed this important issue.

Learning Melodies in Private Practice

If you are learning a new, perhaps challenging, melody for the first time, in private practice, then sure, do count out the meter and use a metronome /

When to work on your “Rhythm”?

When learning a new piece of music, when should a musician work on getting right the rhythm and feel of the piece?

We have long believed it has to be the very first thing to get right and there’s little point playing notes at all unless they are in the desired rhythm (feel and groove).   Tempo, however, is a whole other subject – there’s a lot to be said for precision and even playing tunes at markedly different tempos to internalize the piece better.
Timing is the bedrock of all music:  “When a note is struck at the wrong time, it’s the wrong note”.
Getting playing in the right rhythm as soon as possible is why we have always sought out structured and inspiring rhythmic backing.  This ultimately lead to  “Song Rhythm Tracks.

Rhythm and Tim

When to work on your “Rhythm”?

When learning a new piece of music, when should a musician work on getting right the rhythm and feel of the piece?

We have long believed it has to be the very first thing to get right and there’s little point playing notes at all unless they are in the desired rhythm (feel and groove).   Tempo, however, is a whole other subject – there’s a lot to be said for precision and even playing tunes at markedly different tempos to internalize the piece better.
Timing is the bedrock of all music:  “When a note is struck at the wrong time, it’s the wrong note”.
Getting playing in the right rhythm as soon as possible is why we have always sought out structured and inspiring rhythmic backing.  This ultimately lead to  “Song Rhythm Tracks.

Rhythm and Tim

How to practice, then how to jam?

Here are my views on how to go about practicing and jamming.

This is such an important part of the journey of becoming a musician. I wrote this down for the benefit of a musician just setting out on his journey, wanting to know what the key things were that would determine their success.  I know I certainly did not go about it the right way for many years.  I had not had any musical education as a child, but as an adult when learning music for the first time, had the benefit of a private teacher but never really addressed this important issue.

Learning Melodies in Private Practice

If you are learning a new, perhaps challenging, melody for the first time, in private practice, then sure, do count out the meter and use a metronome /

Could you give me some examples of Song Forms?

writing on a score
writing on a score
Song Forms for a number of songs are here Musicianship, Song Rhythm Tracks, SongForm, Website

Smart Music Creation

What's meant by "Smart Music Creation"?

"Smart" often means that technology has been added to something that previously had not had it. With 'music', the term 'digital' has been used for the distribution of consumer music in a 'digital form' - Audio-CD, mini-discs, DAT and later the revolution of online distribution through the iTunes Music Store. 'Smart Music Creation' could perhaps be considered to be where computerized devices help with the creation of music - the synthesizer, the drum machine, and MIDI generally. Drum Machines and Synthesizers are really new musical instruments lending themselves to new musical sounds and therefore new genres of music. That's not smart really, it is just a different type of instrument.

Enter - Musical Instrument Digital Interface (MIDI</str

When to work on your “Rhythm”?

When learning a new piece of music, when should a musician work on getting right the rhythm and feel of the piece?

We have long believed it has to be the very first thing to get right and there’s little point playing notes at all unless they are in the desired rhythm (feel and groove).   Tempo, however, is a whole other subject – there’s a lot to be said for precision and even playing tunes at markedly different tempos to internalize the piece better.
Timing is the bedrock of all music:  “When a note is struck at the wrong time, it’s the wrong note”.
Getting playing in the right rhythm as soon as possible is why we have always sought out structured and inspiring rhythmic backing.  This ultimately lead to  “Song Rhythm Tracks.

Rhythm and Tim

The Primacy of Rhythm in practicing popular music

When learning a new piece of music, when should a musician work on getting right the rhythm and feel of the piece?

Introduction

I have long believed it has to be the very first thing to get right and there's little point playing notes at all unless they are in the desired rhythm and feel.   Tempo, however, is a whole other subject - there's a lot to be said for precision and even playing tunes at markedly different tempos to internalize the piece better. Timing is the bedrock of music:  "When a note is struck at the wrong time, it's the wrong note".  Getting playing in the right rhythm as soon as possible is why I've always sought out structured and inspiring rhythmic backing.  This ultimately lead to  "Song Rhythm Tracks".

Rhythm and Timing</h

Could you give me some examples of Song Forms?

writing on a score
writing on a score
Song Forms for a number of songs are here Musicianship, Song Rhythm Tracks, SongForm, Website